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Not one for minimalists, then, but the app’s design is such that while it could have drowned you in a bewildering array of options, it actually ends up being very usable. The main camera shoots to RAW, TIFF or JPEG, and optionally shoots HDR. There are several modes (burst, night, slow shutter, and so on), and you can manually tweak ISO, exposure, shutter speed, and focus. Usefully, you can also opt to shoot only when your iPhone is perfectly still; and there are handy visual guides, too, including a focus peak meter, a grid of thirds, and a tilt meter. When you’re finished shooting, you can delve into a capable editor for trimming, perspective correction, frame-by-frame video clip review, and the application of lenses and filters.

It’s very comprehensive, making for a high-value package. MaxCurve MaxCurve is a photo editor aimed at people who want more control over adjustments. The app includes the basics – cropping; vignettes; sharpness; grain – but its real power is in the curve tools that afford a huge amount of control over color, lightness, saturation, and other aspects of your photo.

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The approach is very different from most of MaxCurve’s contemporaries, and, notably, the curves take up a lot of room, sitting in front of the image you’re editing. But they do provide a very tactile means of making everything from subtle tweaks to dramatic changes. These effects are all non-destructive, too, applied as layers, to which you can also add colors (with blend modes) and textures. Bar its slightly cluttered interface, the only real problem with MaxCurve is it can be a bit too clever – there are no quick-fix buttons for things like exposure.

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But perhaps that’s the point. Infltr Infltr began life as a photo filter app for people who considered choosing a filter too much effort. Instead, you dragged your finger across the screen, watching as the filter updated live. Simple.

Fast. Random. But this brutally stripped-back approach nudged Infltr towards gimmickry – something its current incarnation addresses by affording you a modicum of additional control.

The original functionality still exists – the app nicely going full-screen when you activate it – but there are editing and filter management features too. Along with adding a filter in the original way, you can select a pre-made option, make basic adjustments, and alter the photo’s crop and skew. All edits are non-destructive, so you can revert or make further changes later, and your settings can be saved as a custom style. The net result is an app that’s evolved from an interesting curio to a must-have iPhone app for photographers.

Exacto There are quite a few apps that attempt to automatically get rid of backgrounds from an image, or have you paint them out with a finger. Exacto, though – as its name might suggest – is all about precision. Using the pen tool, you tap out a string of blue points on the screen, which map out the outline to mask. Any point’s position can be adjusted by selecting it and then dragging anywhere on the screen. Exacto places black points between the blue points, and these when selected bend the line, so you can create a curve with two blue points rather than dozens.

There’s unlimited undo, project auto-save, and a layers system for multiple selection. And although you might balk at the price for what’s effectively a single-feature app, Exacto is unparalleled at what it does on iPhone, and opens up scope for creative superimpositions and collages when using other creative software. Mextures Modern iPhones have some seriously impressive camera hardware, and are capable of taking clean, vibrant shots.

So it’s perhaps no surprise that iPhone users are often hell-bent on slathering said images in filters and messing them up.

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