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You help a wiggly line carve its way through isometric worlds. Its survival is down to you tapping the screen at opportune moments, to make the line change direction rather than smack into a wall. If that was it, Dancing Line would be easy to dismiss, but beautiful design ensures it’s a winner. One level features a piano, with keys moving to the soundtrack’s notes; part-way through, you’re suddenly inside the instrument, hammers raining down all around you. Elsewhere, you blaze through gardens and a savannah at sunset. The game can frustrate when you fail near the end of a minutes-long level, and its ad-heavy freemium trappings can grate, but if you’ve a sense of rhythm, and a penchant for great-looking games that marry immediacy and elegance, Dancing Line is well worth a download.
Slide the Shakes Slide the Shakes recreates the bartender slide, where a beverage is sent to a patron at speed – only in Slide the Shakes, the bars have been built by a maniac. They’re full of humps and gaps, set on slopes, and often covered in sticky goo and slippy ice. In each level, you’re tasked with sending a milkshake to several precise destinations. Fall short and the game generously gives you another shot (albeit at the expense of a perfect score); smash the glass and you must start that round again. This is a bright, breezy, immediate game, with intuitive catapult controls.
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It also avoids the irritating randomness of an Angry Birds, because the pull-back mechanism affords you plenty of accuracy. Just as well when you’re confronted with bar-top designs akin to motocross tracks. Beat Street Beat Street is a love letter to classic scrolling brawlers, where a single, determined hero pummels gangs of evil-doers and saves the day. In Beat Street, giant vermin are terrorizing Toko City, and will only stop when you’ve repeatedly punched them in the face.
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On iPhone, Beat Street is a surprisingly successful one-thumb effort, but on iPad you’re better off playing in landscape. With your left thumb, you can dance about, and then use your right to hammer the screen (and the opposition). The iPad’s large display shows off the great pixel art, but the fighty gameplay’s the real star – from you taking on far too many opponents at once to gleefully beating one about the head with a baseball bat. It turns out they do make ’em like they used to after all. Up the Wall Up the Wall is an auto-runner with an edge.
Or rather, lots of edges. Because instead of being played on a single plane, Up the Wall regularly has you abruptly turn 90-degree corners, some of which find you zooming up vertical walls. The speed and snap twists make for a disorienting experience, but the game’s design is extremely smart where, most notably, each challenge is finite and predefined. Up the Wall isn’t about randomness and luck, but mastering layouts, and aiming for that perfect run. It nails everything else, too. The game sounds great, and has sharp, vibrant visuals, with imaginative environments.
It’s not often you’re frantically directing a burger in an abstract fever dream of milkshakes and ketchup bottles, nor a skull in a world of flames, lava, and guitars. San Giorli San Giorli is a strange arcade game set in a neon city that’s seemingly been deserted. Mostly, it involves you plugging things in (or unplugging them), which doesn’t sound terribly exciting – but trust us on this one. The levels scroll horizontally, and at any given point bits of cabling are strategically positioned. You must connect cables to activate machines that clear the way forward for your ship – which often requires careful timing and plugging/unplugging in a specific order.
Also, your character rotates around your ship, attached to it by a cable, rather than having free movement.
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